Hollywood Sul Tevere. Anatomia Di Un Fenomeno By Stefano Della Casa E Dario E. Vigano
Merchant: Oxfam
Merchant's Category: Media> Books
Hollywood sul Tevere. Anatomia di un fenomeno by Stefano Della Casa and Dario E. Vigano Text in Italian The volume recounts the mythical era of "Hollywood on the Tiber", the golden years of Cinecitta, when Rome was the true capital of cinema and when American stars disembarked from the catwalks of Ciampino airport and strolled along Via Veneto ready to being immortalized by the "paparazzi". These were the years of the "Dolce vita", of gossip consumed at bar tables, of collective screenwriting sessions and of epochal arguments in hotel rooms. Years that elicited from Ennio Flaiano the caustic aphorism: "Courage. The best is over." Tabloid years that in this book the editors Dario E. Vigano and Steve Della Casa try to "photograph", orchestrating a multi-voiced overview. From Elena Mosconi to Simone Venturini, from Guglielmo Pescatore to Orio Caldiron, from Raffaele De Berti to Alberto Crespi, from Marco Spagnoli to Luca Pallanch, light is shed on the production system of Cinecitta, on the sumptuous productions of the blockbusters, on the new directors arriving from a " another world", on the phenomenon of stardom that crowded the pages of magazines and on the stars and stripes dream that conquered everyone - from Dino De Laurentiis to Anna Magnani - to the point of pushing some to buy a one-way ticket to the future. A photographic book created thanks to the immense archive of the Centro Sperimentale di Cinematografia and Cinecitta Luce, but above all the irreverent and disenchanted rereading of a myth, enriched by the anecdotes and memories full of nostalgia of the protagonists of the time: by the director of photography Giuseppe Rotunno to the poster designer Silvano "Nano" Campeggi, up to the actors Elsa Martinelli, Lando Buzzanca and Franco Interlenghi and the director Giovanni Fago. A black and white world that no longer exists, but which is still capable of lighting the fuse of the imagination today. The condition of the book is good and the pages inside the book are clean. There is a general wear on the cover and some minor scratches at the back
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